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JANE EVANS GYOTAKU

Gyotaku of Acer Leaves in Black and Green/Gold

Gyotaku of Acer Leaves in Black and Green/Gold

Regular price £90.00 GBP
Regular price Sale price £90.00 GBP
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Jane Evans, a contemporary artist based on the island of Anglesey, has created a striking Gyotaku print that draws inspiration from both nature and traditional Japanese techniques. Measuring 35x42cm in size and presented unframed, this particular piece is a delicate yet visually captivating work rendered in black and gold. It is a fine example of how Gyotaku—the centuries-old Japanese method of printing fish—can be reimagined with alternative natural elements, in this case, the leaves of an Acer tree.

Rather than using fish, Evans has chosen to print using the distinctive, deeply lobed leaves of an Acer, also known as a Japanese maple. The choice of subject matter retains the Gyotaku tradition’s close relationship with the natural world while extending its scope beyond marine life. The intricate veining and finely serrated edges of the leaves are captured in exquisite detail, made possible through the careful application of ink and pressure in the printing process. The black and gold palette enhances the texture and form of the leaves, giving them a luminous, almost ethereal quality. The gold ink catches the light and contrasts beautifully with the matte black, suggesting both the fragility and resilience of the natural world.

The wet mounting technique used in the presentation of the print contributes to its refined aesthetic. Wet mounting is a traditional Japanese method of affixing prints to a backing paper while preserving the flatness and clarity of the image. This process requires precision and patience, and the result is a clean, ripple-free surface that allows the viewer to fully appreciate the intricacies of the print. 

In this print, Jane Evans manages to fuse cultural tradition with personal interpretation, producing a contemplative artwork that pays homage to nature's quiet beauty. Her use of Acer leaves in place of the traditional fish not only challenges expectations but also highlights the versatility of the Gyotaku method. The black and gold tones, the meticulous execution, and the simplicity of the composition all contribute to a piece that is both modern and timeless, modest in scale yet rich in artistic intent.

Thanks to chat GPT for the text!  Shipping to the UK is included. 

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